Neumann 008566 Capsule for KM A/D KK 183 Modular small diaphragm capsule with analog output stage
Home / Neumann 008566 Capsule for KM A/D KK 183 Modular small diaphragm capsule with analog output stage
Product Overview
The Neumann KK 183 is the modular version of the world-renowned KM 183 microphone. As part of the KM A/D Series, this passive capsule offers peak flexibility for elite recording environments. It is a pressure transducer with an omnidirectional polar pattern that remains remarkably uniform across all frequencies. Unlike its "free-field" sibling (the KK 131), the KK 183 is specifically tuned for a flat frequency response in the diffuse sound field, making it indispensable for distant miking where room acoustics are part of the performance.
Product Description
The Mastery of Diffuse-Field Equalization:
In large spaces like cathedrals or concert halls, high frequencies tend to dissipate. The KK 183 is equalized to be flat in this "diffuse field." When used for close-miking (the free field), it exhibits a deliberate 7 dB treble boost at 10 kHz. This ensures that distant sources sound vibrant, detailed, and natural, rather than muffled. It provides that signature "expensive" top-end shimmer that characterizes premium classical recordings.
Authentic Bass with No Proximity Effect:
As a true pressure transducer, the KK 183 has no "proximity effect"—the bass response remains perfectly linear regardless of how close the microphone is to the source. It captures frequencies down to 20 Hz with absolute authority, making it the perfect choice for recording pipe organs, double basses, or the deep resonance of a grand piano.
Modular & Remote Capability:
The KK 183 threads onto the KM A analog output stage (P48 phantom power) or the KM D digital output stage (AES 42). This modular design allows you to detach the capsule from the amplifier body and use it at a distance of up to 100 meters via extension cables. This is ideal for suspending microphones from high ceilings or mounting them on discreet boom poles in film and television studios.
Legendary Performance, Lower Noise:
Building on the heritage of the KM 100 series, the KK 183 features advanced electronic shielding and a self-noise level of only 13 dB-A. It can handle massive sound pressure levels up to 150 dB (with the pre-attenuation pad on the KM A stage), ensuring clean, distortion-free capture of the most explosive musical transients.
Key Features
Diffuse-Field Equalized: Specifically tuned for natural tonal balance in reverberant rooms.
True Omnidirectional Pattern: Uniform pickup from all directions with perfect phase coherence.
Modular Interface: Compatible with KM A (Analog) and KM D (Digital) output stages.
Unlimited Bass Response: Accurate reproduction of the lowest frequencies down to 20 Hz.
High SPL Tolerance: Handles up to 150 dB SPL for distortion-free percussion recording.
German Engineering: Hand-assembled in Germany with a classic Satin Nickel finish.
Applications
Orchestral & Classical Recording: Ideal for A-B stereo pairs or as a main room microphone.
Decca Tree Arrays: A classic choice for the "outrigger" positions in a Decca Tree setup.
Ambience & Hall Miking: Captures the true spatial character and "air" of a venue.
Pipe Organ & Piano: Delivers rich, deep low-end that directional mics simply cannot match.
