Product Overview

The Neumann KK 184 is the modular heart of the acclaimed "Series 180." Finished in classic Satin Nickel, this passive capsule is a pressure gradient transducer designed to provide the iconic Neumann sound with the flexibility of a modular system. It threads seamlessly onto the KM A (Analog) or KM D (Digital) output stages, allowing engineers to maintain a consistent sonic signature while switching between analog and digital workflows.

Product Description

The Global Studio Standard:

The KK 184 is celebrated for its incredibly even frequency curves that remain parallel to the $0^{\circ}$ sound incidence. This means that even sound coming from the sides is captured without coloration—a critical feature for maintaining natural tonal balance in complex multi-microphone setups. Its slight treble lift around $9\text{ kHz}$ adds a touch of "Neumann brilliance" that helps instruments sit perfectly in a mix without sounding harsh.

Exceptional Rear Rejection:

The cardioid pattern of the KK 184 is frequency-independent, providing excellent rejection of sound from the rear ($180^{\circ}$). This makes it an ideal choice for stage use and studio sessions where isolation from neighboring instruments or room reflections is necessary. Whether used as a drum overhead or for a solo violin, the focus remains purely on the intended source.

Modular Freedom & Remote Setup:

Part of the KM A/D system, the KK 184 can be detached from the output stage and used at distances of up to $100\text{ meters}$ using specialized extension cables (like the LC 4). This allows for extremely discreet placement on film sets, in orchestral pits, or suspended from high ceilings in concert halls where bulky microphone bodies would be visually intrusive.

Modern Performance, Low Noise:

Engineered with advanced electronic components, the KK 184 offers a very high dynamic range and a low self-noise of only $13\text{ dB-A}$. It can handle massive Sound Pressure Levels (SPL) of up to $148\text{ dB}$ (when used with the -10 dB pad on the KM A output stage), making it as capable of recording a delicate harp as it is a high-velocity snare drum.

Key Features

• Uniform Cardioid Pattern: Consistent pickup without off-axis coloration for precise imaging.

• Modular Interface: Compatible with both KM A (Analog) and KM D (Digital) output stages.

• Brilliant Frequency Response: Smooth highs with a gentle lift for added detail and "air."

• Ultra-Low Self-Noise: Pristine $13\text{ dB-A}$ floor ensures even the quietest passages are captured cleanly.

• Extreme SPL Tolerance: Distortion-free performance up to $148\text{ dB}$.

• Compact & Lightweight: Miniature design ideal for tight spaces and discreet mounting.

   

Applications

• Acoustic Instruments: The premier choice for acoustic guitar, piano, and strings.

• Percussion & Drums: Perfect for overheads, hi-hats, and snare drum miking.

• Orchestral Recording: Use in pairs for XY or ORTF stereo configurations with perfect phase coherence.

• Broadcast & TV: Small footprint and neutral sound make it a staple for television studios.

Technical Specifications